Ariodante - debut at Opéra de Paris
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Ariodante - debut at Opéra de Paris
3,5K weergaven21 sep 2025
YouTubeCecilia Molinari mezzosoprano
7 or 3 questions with Cecilia Molinari | Dutch National Opera
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7 or 3 questions with Cecilia Molinari | Dutch National Opera
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YouTubeNationale Opera & Ballet
🌞 Après la nuit noire, la lumière ! 💫 Ariodante (Cecilia Molinari mezzosoprano) retrouve l’espoir : libéré du poids du mensonge, il célèbre la fin de la tourmente dans un air lumineux et triomphant “Dopo notte”. 🎶 Extrait de l’opéra “Ariodante” de Georg Friedrich Haendel 🪄 Direction musicale : Ensemble Pygmalion sous la direction de Raphaël Pichon 🎭 Mise en scène : Robert Carsen 📅 Jusqu’au 12 octobre 📍 Palais Garnier | Opéra national de Paris
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🌞 Après la nuit noire, la lumière ! 💫 Ariodante (Cecilia Molinari mezzosoprano) retrouve l’espoir : libéré du poids du mensonge, il célèbre la fin de la tourmente dans un air lumineux et triomphant “Dopo notte”. 🎶 Extrait de l’opéra “Ariodante” de Georg Friedrich Haendel 🪄 Direction musicale : Ensemble Pygmalion sous la direction de Raphaël Pichon 🎭 Mise en scène : Robert Carsen 📅 Jusqu’au 12 octobre 📍 Palais Garnier | Opéra national de Paris
8,7K weergaven29 sep 2025
FacebookOpéra national de Paris
Cheers!🥂 • This melodic line from the Act 2 finale of “Cosi fan tutte” is sung in sequence first by Fiordiligi, then by Ferrando, and finally by Dorabella (Guglielmo has a completely different line). 💍 • For me, it is one of the most beautiful and moving moments in the opera. A moment in which everything feels suspended. ☁️ • The line is elegant, super legato, and… extremely difficult to sing, especially after almost three hours on stage! 🎭 • But sharing the same vocal line with my colleagues
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Cheers!🥂 • This melodic line from the Act 2 finale of “Cosi fan tutte” is sung in sequence first by Fiordiligi, then by Ferrando, and finally by Dorabella (Guglielmo has a completely different line). 💍 • For me, it is one of the most beautiful and moving moments in the opera. A moment in which everything feels suspended. ☁️ • The line is elegant, super legato, and… extremely difficult to sing, especially after almost three hours on stage! 🎭 • But sharing the same vocal line with my colleagues
371 weergaven8 maanden geleden
FacebookCecilia Molinari mezzosoprano
«Che farò senza Euridice! Dove andrò senza il mio ben!» Un momento dall’opera “Orfeo ed Euridice” di Gluck ora in scena con Cecilia Molinari mezzosoprano nel ruolo di Orfeo. Regia Pier Luigi Pizzi, direttore e maestro al cembalo Ottavio Dantone. | Teatro La Fenice
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«Che farò senza Euridice! Dove andrò senza il mio ben!» Un momento dall’opera “Orfeo ed Euridice” di Gluck ora in scena con Cecilia Molinari mezzosoprano nel ruolo di Orfeo. Regia Pier Luigi Pizzi, direttore e maestro al cembalo Ottavio Dantone. | Teatro La Fenice
5,5K weergaven2 mei 2023
FacebookTeatro La Fenice
🚨 IT'S OFFICIAL! The DVD of “Zoraida di Granata” is out! 📀 • I had the immense pleasure and honor of giving voice to Abenamet once again, performing it on stage for the first time in 200 years at the Donizetti Opera last november. 🤩 • This opera is one of Donizetti's early works, where you can already recognize the distinctive characteristics that would make him the belcanto master we all know. 🎶 • The story is about civil wars, challenged loves, and the power of forgiveness. On stage with m
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🚨 IT'S OFFICIAL! The DVD of “Zoraida di Granata” is out! 📀 • I had the immense pleasure and honor of giving voice to Abenamet once again, performing it on stage for the first time in 200 years at the Donizetti Opera last november. 🤩 • This opera is one of Donizetti's early works, where you can already recognize the distinctive characteristics that would make him the belcanto master we all know. 🎶 • The story is about civil wars, challenged loves, and the power of forgiveness. On stage with m
231 weergaven26 aug 2025
FacebookCecilia Molinari mezzosoprano
La costanza trionfante degl'amori e degl'odii, RV 706-A, Act II Scene 14: Aria. Donna crudel...
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La costanza trionfante degl'amori e degl'odii, RV 706-A, Act II Scene 14: Aria. Donna crudel...
450 weergaven7 maanden geleden
YouTubeFederico Maria Sardelli - Topic
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Il ruolo dei gesti nella comunicazione italiana
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TikTokceciliamolinarimezzo
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Welcome 2026✨ • I'm not really into New Year's resolutions, but I thought these three were too good to keep to myself. 💪🏻 • Buon Anno! 🎊
835 weergaven9 maanden geleden
TikTokceciliamolinarimezzo
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Maybe it's just me, but I absolutely need to eat before and during the show. 🍝 • If it's true that the singer is like an athlete, then it's also true that opera is like a marathon, and you need the right energy to make it to the end. 🏃🏻‍♀️ • Plus, let's be honest, I just love food. 💘 • What is your favorite snack during a performance? | Cecilia Molinari mezzosoprano
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FacebookCecilia Molinari mezzosoprano
2:43
La costanza trionfante degl'amori e degl'odii, RV 706-A, Act II Scene 14: Aria. Donna crudel...
78 weergaven6 maanden geleden
YouTubeFederico Maria Sardelli - Topic
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The unexpected news of Pierre Audi's passing has deeply saddened me. I had the privilege of working with him on the production of Stefano Landi's "La morte di Orfeo" in Amsterdam in 2018. It was one of my first international productions, in a theater that would later become extremely important for my career. I particularly remember his rigorous elegance. We spent entire rehearsals discussing the perfect angle of the body posture and the specific gesture for a particular musical moment. Trusting
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FacebookCecilia Molinari mezzosoprano
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TikTokannamo_1
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